Andres Alborok (Andres Albornoz) is an ambient artist from Córdoba, Argentina, whose work merges analogue synth textures, immersive field recordings, and emotive sonic design into vivid, nature‑infused soundscapes. Drawing on a background in percussion and sound experimentation that began in childhood, Alborok creates ambient music that feels both grounded and transcendent—like memory unfolding in slow motion.
A key figure in the organic ambient genre, Alborok crafts compositions that incorporate elements of ambient music with nature sounds, shaped by his deep interest in the emotional and sensory potential of sound. His tracks often feature soft modular pulses, spacious drones, and environmental recordings layered with precision. Whether using the Nord Lead 4, Moog Minitaur, or Logic Pro, he approaches each piece as a living sound environment—designed to hold space, not just fill it.
Alborok’s influences include composers like Oliver Patrice Weder and Brian Eno, but his creative ethos is deeply personal. Early in the COVID‑19 pandemic, he began composing ambient pieces for his partner’s yoga practice—streamed live across continents. This private gesture of connection evolved into a public‑facing body of work that has since found a wide and devoted global audience, helping establish him as one of the most compelling emerging voices in contemporary organic ambient.
His music appears regularly on curated and algorithmic playlists dedicated to ambient music with nature sounds, slow listening, and meditative sound environments. His compositions have also been featured in film, advertising, and sound‑design projects through collaborations with the Papamusic Agency, alongside live performance work with Argentine groups Los Cafres and Sig Ragga.
Now signed to Signal Alchemy—an independent Canadian label specialising in organic ambient music—Alborok continues to expand his sonic palette while remaining rooted in a philosophy of deep listening, emotional presence, and sonic care. His work invites listeners into a space of introspection and renewal, where each piece feels less like a track and more like a quiet, attentive place to rest.
